Semitones, whole tones, and the black keys
Music's unit of distance. Once you have a unit, every scale and chord becomes a formula you can work out.
The semitone is the smallest unit
A semitone is the distance from one key to the very next key, whether that is white to black, black to white, or white to white. The important words are next key — the colour is irrelevant.
A whole tone is two semitones — put simply, skip one key. This distance matters enormously, because the major scale you meet in the next level is built entirely from a fixed pattern of whole tones and semitones.
Sharps and flats
Black keys have no names of their own. They borrow from the white key next door and add a sign. Sharp means one semitone higher; flat means one semitone lower.
One key with two names is called an enharmonic. Most people find this annoying at first. The answer is that it depends which direction you arrived from: if the music is climbing we call it a sharp, and if it is falling we call it a flat. This gets much clearer once you meet scales in level 2.
| Black key | As a sharp | As a flat |
|---|---|---|
| between C and D | C♯ | D♭ |
| between D and E | D♯ | E♭ |
| between F and G | F♯ | G♭ |
| between G and A | G♯ | A♭ |
| between A and B | A♯ | B♭ |
Find the black keys
Press the black key matching the name shown.
C#4
Question 1 of 5
No labels now — use the black-key groups to find it
Every key in one octave
Move a semitone at a time from C up to the next C, skipping nothing, and you get twelve notes. That is the chromatic scale, and it is every sound the keyboard can make.
Twelve notes, and then back round to C.
Chromatic, half an octave
Play a semitone at a time from C up to G.
Press them one at a time, following the highlight
Put in the reps
Twelve notes: every key in the octave with nothing skipped. Your hand settles into a rhythm of moving in to the black keys and back out again, right up until E and F, where two white keys sit side by side.
Twelve keys, a semitone at a time
The two places it drags are E to F, and B rolling back round to C. There is no black key to step onto, so the in-and-out motion your hand had settled into breaks exactly there.
Loop it in time with the clicks. 4 clean reps in a row moves you up a rung; one slip starts the count again · from 52 up to 76 BPM · after the first key it moves through 2 more
Today's minigame
A key lights up and you name it. Multiple choice.
Trains: reading the keyboard from the shape of the black-key groups, not from labels
Homework
Go to homeworkAll homework lives on the homework page. Repeat it as often as you like — anything you're still shaky on gets pushed back to the top by itself.
No rush. If you're not confident yet, run the minigame above once more before marking it done.
- Read every part · 0 of 4
- Take the drill up to target tempo · 0 of 1
- Clear 60% of today's minigame · 0 of 1
- Come back and practise again later · 0 of 2 sittings